Yes, Yes, Cherries by Mary Otis
Author:Mary Otis
Language: eng
Format: epub
Publisher: Tin House Books
Published: 2011-09-23T00:00:00+00:00
CLAYTON AND PACER stand in front of the Nordstromâs first-floor elevators. One has orange cones set across where the door should be. The floor has gone missing and Clayton peeks in at the elevator guts before Pacer yanks him back. A man wearing a matching green shirt and pants steps into the elevator with them. Clayton can tell heâs a real elevator man, because he faces the people, not the door.
âHowâs business?â asks Pacer, as if he were the manâs boss. Gone is his slidey-mouth way of talking.
âLost one this morning,â says the elevator man, smiling at Clayton. Clayton listens to peopleâs voices slipping down the insides of the walls.
Pacer snorts. âBeats the hell out of working on a tanker, let me tell you that.â
They get out on the second floor and Pacer stops to look at a display of rings while Clayton leans against a glass display case. The case is so warm, and inside there is a scarf folded in a fancy way like ribbon candy. The scarf is a soft orange, and itâs woven through with real gold. Clayton is sure of it. He has never seen anything so beautiful. If only he could lie on the display case and just look at it.
There is a piano player next to the shoe department. He lifts his hands when he plays, like the keys sting his fingers. When he finishes, Clayton quietly claps his hands five times as he has been taught in school. More is inappropriate. Pacer tucks his T-shirt into his old khakis and nods to the piano player. He takes Claytonâs hand and they walk toward the shoe displays. A salesman starts toward them.
âWhat I want to know is why shoes are on one floor and slippers on another?â Pacer says loudly. âI mean, feet are feet.â The salesman turns from them, as if an invisible hallway had just appeared.
âSir, is there something I can help you with?â The woman is tall and wears a red belt with a big gold lionâs head for a buckle. She carries a silver ring packed with keys, and in the crook of her arm, three clipboards. She does not look at all like Beverly.
âYes, my son and I are looking for a birthday present for a very special mother.â Mother, thinks Clayton. Close enough. Sheâs someoneâs mother. Could be his. âWe are looking for slippers with velvet inlay or satin embroidery, something like that. Price doesnât matter.â
Then Clayton sees it. The leg. The leg is connected to a body that is slumped beneath a rounder of white raincoats. The leg is about the length of his own leg. The leg is sunburned and wears a purple lace-up sneaker.
âAnd little roses have to be on the toes, pink ones. Right, Clayton?â
The foot flops right and left, then right and left again, and, absolutely, this is a sign.
âRight, Clayton, right? Itâs roses you said.â And Clayton knows that he should say a bunch of stuff about the slippers, because this is part of it, saying a whole lot to people and seeing what will hook them, but he canât.
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